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Report Author Darren Di LietoAnnual ReportState of IllustrationText and Design Copyright 2021 Darren Di LietoArtwork Copyright 2020-2021 Beach,Sandra Neuditschko,Imogen Fancourt,Candice Broersma,Andr Caetano and Ego Rodriguez.All rights reserved.No part of this document may be reproduced or used in any manner without written permission of the copyright owners.Our Future Is In Our Own HandsContentsIntroduction18 Years ExperienceAbout the ReportWho are we?Age RangesIdentityExperienceEducationWorkIncome GrowthJobs We DoAgentsContractsMoneyPricingDepositsPassive IncomesMedian IncomesFinanceLifePersonal WorkWork/Life BalanceSocial MediaMental HealthDiscriminationPostscript0103091529360102Introduction18 Years ExperienceWelcome to the 2021 State of Illustration report.My name is Darren Di Lieto,and this is the sixth survey of illustrators Ive run since 2011.Initially,we called the survey the Illus-trator Survey(2011-2018),but as of 2019,we renamed it the State of Illustration.Between the years 2003-2006,I was a full-time freelance illustrator.During this time,I set up Hire an Illustrator to stay connected with my fellow illustrators and give them a platform to further their careers and connect with clients.As Hireillo(Hire an Illustrator)is now my full-time job,I no longer have time to work as an illustrator,but with my 18 years of experience in this industry,I can offer advice on promotion,pricing and contracts while staying close to what I love.However,Im still an illustrator at heart and always will be.I also get to do a lot of art direction and have curated several exhibitions over the years.This means Im actively involved in multiple aspects of the industry along-side my main work at Hireillo.All this aside,I believe that with the passion I have for illustration and the creative industry as a whole,Im in the perfect position to compile and distribute the State of Illustration report.About the ReportThis report uses data collected from 1506 respondents,which includes freelance illustrators,in-house illustrators,artists and other creative professionals.The State of Illustration survey was open from 31st October to 11th December 2020.Our respondents are a mixture of ages,genders and nationalities.They are primarily social media users who are also fiercely independent as self-employed business owners.Due to the solitary nature of being an artist or freelance illustrator,many of them will likely be isolated for a good portion of their working day,with their social interactions primarily being limited to social media or communication devices rather than in-person.While our sample represents the creative industry,it will not offer a complete insight into the general working population,but that isnt the purpose of our survey.This year,like previous years,the State of Illustration is split into four sections.The first section will give you an overview of who we are and the groups that make up our industry.The second section is about the work we do and how we operate from day-to-day.Section three is all about income,money and how we make a living.The fourth section is about what makes us tick and the challenges we face,followed by the postscript.Where appropriate,we have made comparisons between our 2020,2019 and 2018 survey results,along with other publicly available survey data.Five artists were commissioned to create the illustrations that accompany the four sections of the State of Illustration survey and the report itself.The cover art is the illustration Imogen Fancourt created for the“work”section.A complete list of illustrators who contributed to this document can be found at the end of the report.The distribution or sharing of this document for profit or otherwise is strictly prohibited.0304Who Are We?This year is the second year we have accurately recorded our respondents geographical locations.We were pleased to see again that just over a third(549)of the respondents took part from countries where English isnt the native language.What makes that significant is that the survey,although international,is conducted in English.While we expect North America and the United Kingdom to dominate the results,we need representation from outside those areas to give a more balanced perspective of our community.North America United Kingdom Europe(Excluding UK)Asia Australia and New Zealand South America Africa202035.2(.5#.7%6.6%2.4%2.5%1.1 19331.5%.1%4.3%2.7%2.5%0.850% %5%0-3061 51-6041-5031-4036.44.2 %6.7%2.6%Age Ranges18-3031-4041-5051-6061 201929.17.6%8.2%3.1 1841.48.5.9%4.4%0.8%Sandra Neuditschko0506Gender Female Male Non-binary PNTS Trans Self-describe2019FemaleMaleNon-binaryPNTS55.9A.2%1.5%1.4W.85.6%4%1.2%0.8%0.6X6 18FemaleMaleOtherPNTS56.6.6%2.4%0.5%IdentityLGBTQ PNTSFor comparison,a 2017 Gallup poll concluded that 4.5%of adult Americans identified as LGBT.202020.4%7.3 1914.2%4.1%Disability Of our respondents,9%said they were disabled,and another 4.6%said theyd prefer not to say.In 2019 this was 6.5%and 2.9%,respective-ly.According to the Department for Work and Pensions,18%of working-age adults are disabled.Ethnicity Overall,16.9%said they were part of an ethnic minority in the country in which they lived.3.7%prefered not to say.In 2019 this was 12.1%and 3.5%,respectively.Experience24 %8%6%4%2%01 years7-104-61-311-204.6 .2.6.8.8%This year theres been a slight increase in the number of new illustrators and a slight decrease in those who have worked for seven or more years,pushing the balance towards a less experienced workforce.Perceived as Professionals520%NeverAlwaysSometimes MostlyNeverSometimesMostlyAlwaysAverage2019In 2020 slightly fewer illustrators felt they were taken seriously as a professional than in 2019.DependantsIn 2020 we recorded that 28.5%of our respondents had dependants,those who rely on them for financial support,e.g.children.This year,respondents with dependants are down 4.8%on the 2019 data.PNTS=Prefer Not To Say0708Education4550% %5 17201820192020Studied another creative subjectStudied illustrationStudied a non-creative subjectDidnt go to university20202019We ask the respond-ents who had studied illustration or another creative subject at a higher level(university degree or equivalent)if their course had prepared them for the business side of freelancing.Were pleased to see that since 2019,theres been a 3.1%uptick in those who feel their education equipped them to deal with running a freelance business.63f%No Somewhat Yes66.4&.9%6.6c.3%9.7%-3.4%-0.4% 3.1%DiffBusiness Preparedness5.2%of our respondents listed themselves as currently being students and were excluded from the above stats.Where Do We Work?Home studioHomeEmployed in-houseRented shared studioRented single studioPublic spaces(libraries,coffee shops,etc.)Other010 0PF.4G.75.1C.65.7G.9%3.7%7.1%7.3%3.6%6%6.7%2.4%3.5%0.3%1.7%1.1%2.9 2020192018As expected,due to the pandemic,the number of illustrators working from home increased,with a reduction in rented studios and the use of public spaces.Home studioHomeEmployed in-houseRented shared studioRented single studioOtherPublic spacesNorth America274209215591Europe3433352643237152.4%4%1%1%1.5%0.2D.1C.1%3.3%5.5%3%0.9%0.110Work4550% %5%0%Full-time illustratorPart-time illustratorNo commis-sionsSecondary job outside of illustrationNo secondary jobAlso classed as a students42.1F.6.3UE5%rned more than the previous yearEarned less than the previous yearEarned the same as the previous year201820192020It appears income growth tumbled in 2020.We will explore on the next page whether this is related to the pandemic or not,but either way we think this year,compared to previous ones,has been rough for the illustration industry as a whole.42.1%(630)of our respondents told us that they worked as full-time illustrators,down from 47.2%in 2019.Previously we didnt ask if an illustrator had undertaken no commissions in the year as an alternative to full-time or part-time and may explain the change.Income GrowthImogen Fancourt11120.7%What Types of Jobs Do We Do?05 vertisingAnimation/motionApp creationArt printsExhibitionsChildrens publishingPublishing(non-childrens)Corporate/businessEditorialLive art/muralsMerchandiseOtherPackagingPrivate commissionsTabletop gamesTextiles/apparelVideo games6.9%8.7 2020194.4%4.0%0.9%1.6%6.7%4.5%1.1%4.5.8.1%6.5%8.2.2%1.1%3%2.3%5.4%6.9%6.6%1.9%1.8.4.4%1.8%0.8%2.5%1.9%1.3%1%Are we working in different sectors of the illus-tration market compared to the year before?56.8C.2I.5P.5%NOYESWorking in a different market as a direct result of the COVID-19 pandemic.Working in a different market for reasons unre-lated to COVID-19.PromotionDirect mailers(postcards or other)Conven-tionsPaid adver-tisingDirect emails inc.email newslet-tersOtherReferrals(word of mouth)Regular/repeat clientsSocial MediaThe bar charts on this page show the methods of promotion and platforms most used by the survey respondents,but that doesnt necessarily mean theyre the most successful methods.0%5 %05 20201934.532.81%2.3%1.3%2.2%5.6%3%8.7%2.1 .214.928.235.90.5%6.8cebookInstagramLinkedInOtherPinterestRedditTwitterYouTubeSocial media platforms14S.6%4.1%4.7%0.8%1.9 .6%0.4cI.7P.3%Marketing methods changed in 2020 due to COVID-19.Marketing methods were unaffected by the COVID-19 pandemic.Illustrators who be-lieve they were passed over for potential jobs because they havent got a large enough social following.1314201822.93.9.4%8.6.3%Representation by an Agent15.5%of illustrators were represented by an agent in 2020,down 0.9%on those represented in 2019 and 2.8%since 2018.A downward spiral from 18.3%to 15.5%in only three years could mean agents are more selective about who they represent or more clients are choosing to work di-rectly with freelancers.Or more illustrators are choosing to represent themselves.Represented15.5.4.3 202019201820202019201835(!%7%0%My agent brought in all of my commis-sionsMy agent brought in less than half of my commissionsMy agent brought in more than half of my commis-sionsMy agent brought in no commissions29.51.76.1).7.9.70.3.5.8(.42.9.6c.1%of respondents start-ed jobs before the terms had been formally agreed,with 3.1%always starting a commission before signing on the dotted line.Only 36.9%refused to begin a job without a contract in place.ContractsI have never worked for freeI have worked for free and will never do it againI have done it and it was a waste of my timeI do it often and am indifferent to the outcomeI have done it and it paid off in the long run201922.91.4!.3%9.1.2%How do you feel about working for free?202021.33.2.3%9.2.2%We didnt explicitly ask whether re-spondents had worked on speculative contests or an unpaid test for a poten-tial commission.However,excluding charity work and non-commercial work for friends or family,78.7%said they had worked for free.Only 21.3%overall had never worked for free.Free lockdown illustrations2020 was a challenging year for everyone.457 illustrators chose to offer free illustrations and resources(e.g.colouring books,tutorials)to help keep people and their kids entertained during lockdown.30.5i.5%YESNO1516MoneyAre you confident in the pricing estimates you give to clients?2019 No Yes55.5D.5%What is your primary method of coming up with a quote when a client requests one?My agent advises meBased on previous commis-sion feesOtherAdvice from a profession-al serviceOnline groups or forumsPricing reference booksDirectly asking fellow illus-tratorsPrices based on the time required3.44.5%4.2%4.5%6.1%7.7.1(.4%0%5 %0 1857.2B.8VD 20NOYESCandice Broersma1718456%9%0%I dont ask for depositsYes,and I get it on most commissionsYes,and I dont get it on most commissionsI only work on jobs where a deposit is paid10.7P.5%9.5%8.3%7.266.71.5.8A.7%Asking for a Deposit20202019201828.8 2020192018202020192018All invoices paid late(10.2%)More than half paid late(12.4%)Less than half paid late(30.4%)30.7%of the clients who paid late gave COVID-19 as the reason for the late payment or not paying at all20.1.27.4.32.1G2.70.4%All invoices paid on time without any issuesHow many invoices were paid late?Were pleased to see that there was an increase in clients paying their invoices on time despite a turbulent year.Passive Income Methods30%Amazon affiliateYoutubeCrowdfundingEtsy storeGallery showsLicensing existing artworkOtherOther 3rd party online storePatreonSelf-hosting online storeSkillshare/tutorialsTable at a conventionTeaching in an official capacity020%1.7%1.2%0.6%3#.5!.1.4.9#.5!.2.2#.2.1%6.4%6.8%6.1.7.5%3%2.5%1.9.6.5.8.3.2%2%1%1.5(.8.1.4 20201920181920GBP55,00045,00035,00025,00015,0005,000EUR61,12650,01238,89927,78516,6715,557USD$71,229$58,278$45,327$32,377$19,426$6,475201820192020$53,251.90$54,678.29$56,804.2035,819.3932,889.3617,844.04$23,245.60$21,546.76$22,338.9315,545.2717,903.0218,434.19United StatesUnited KingdonRest of the WorldEurope(Excluding UK)Median Income by LocationFull-time illustratorsAustraliaBrazilCanadaFranceGermanyIndiaItalyMexicoNetherlandsOtherPhilippinesSpainUkraineUnited KingdomUnited States$66,417.51$17,268.50$70,687.01$13,282.44$21,822.48$6,641.88$13,282.44$9,962.16$51,472.94$19,496.52$6,641.88$13,282.44$8,222.97$45,705.37$53,251.90$51,345.84$10,696.55$56,480.25$16,045.79$22,005.17$12,835.60$14,976.15$12,835.60$40,114.31$22,957.27$6,418.44$11,409.57$10,910.46$41,595.39$54,198.29$48,563.43$16,187.99$57,197.91$14,569.32$22,123.11$17,267.10$22,662.67$11,330.85$46,944.70$17,127.86$12,949.36$22,662.67$19,425.33$23,109.20$56,804.202018All figures adjusted for 2020 inflation and the applicable currency conversion rates.GBP17,50015,00012,50010,0007,5005,000EUR19,44916,67113,89211,1148,3355,557USD$22,664$19,426$16,188$12,951$9,713$6,475201820192020$23,530.22$24,816.78$19,425.3311,611.619,956.398,583.35$11,031.40$11,668.85$11,061.1010,251.6711,207.288,247.13United StatesUnited KingdonRest of the WorldEurope(Excluding UK)Part-time illustratorsAll figures adjusted for 2020 inflation and the applicable currency conversion rates.NED=Not Enough Data20202019BrazilCanadaFranceGermanyIndiaMexicoNetherlandsPhilippinesSpainUkraineUS DollarEuroBritish PoundInflation$15,439.47$17,267.10$10,359.74$8,179.02$7,122.73$7,400.19$10,791.35$9,712.34$11,099.63$6,475.331.00000000.87196980.78370191110.8$6,418.44NEDNED$11,918.87$6,418.44$8,557.50$9,627.02$9,627.02NED$7,844.481.00000000.90596120.79069731139.3$7,748.64NEDNED$11,385.14$7,970.00$9,962.16$23,245.60NED$13,282.44$7,305.941.00000000.85817130.77216201156.42018202020192122GBP40,00032,50025,00017,50010,000EUR44,45632,37727,78519,44911,114USD$51,803$42,090$32,377$22,664$12,951201820192020$19,450.62$17,933.38$19,028.92$51,765.95$49,113.48$25,213.30$50,227.67$40,963.75$45,325.98$47,455.94$47,845.10$44,072.7818-30 years old31-40 years old41-50 years old51-60 years oldMedian Incomes by Age GroupFull-time illustratorsAll figures adjusted for 2020 inflation and the applicable currency conversion rates.61-70 years old$26,566.21$24,602.86$24,281.34Europe(excl.UK)18-30 years old31-40 years old41-50 years old51-60 years oldUnited Kingdom18-30 years old31-40 years old41-50 years old51-60 years oldUnited States18-30 years old31-40 years old41-50 years old51-60 years old9,651.7619,690.3619,690.3620,269.4619,779.0435,543.4936,435.7620,819.99$22,943.72$76,378.35$40,265.51$48,982.4012,158.2917,444.0036,342.0149,424.5718,607.6634,181.0036,158.6530,766.77$20,324.32$51,592.68$71,403.42$47,334.5815,188.5618,110.8021,532.0918,059.3512,666.4018,260.0431,249.2516,999.30$24,461.19$52,263.37$79,320.47$64,750.6620202019EUR38,89927,7855,557USD$6,4752019202011-20 years21 years4-6 years7-10 yearsFull-time illustratorsMedian Incomes by Experience$32,37716,671$19,4261 year1-3 years$45,327$9,627.02$10,359.74$11,944.33$16,076.36$20,227.08$19,996.62$48,654.41$43,194.00$47,745.49$45,089.09$45,803.00$52,340.45United Kingdom1 year1-3 years4-6 years7-10 years11-2021 yearsUnited States1 year1-3 years4-6 years7-10 years11-2021 years10,149.088,978.1519,876.2932,669.7836,419.8431,718.28$5,075.05$11,165.00$16,070.39$34,140.30$58,361.51$53,603.975,000.0010,833.2515,416.1331,999.2019,999.0019,582.38$8,093.83$13,749.63$18,332.50$37,044.32$67,140.71$45,712.57202020192018GBP35,00025,0005,00015,0002324GBP37,50030,00022,5007,500EUR33,34216,6718,335USD$38,852$29,139$19,426$9,713201820192020$20,285.92$22,831.82$23,881.02$52,142.04$45,102.86$25,801.90$12,175.68$11,455.35Median Incomes by IdentityFull-time illustrators15,00041,677$48,56525,006$20,009.72$21,343.75$12,667.88$9,168.65$10,696.55FemaleMaleNon-Binary/TransLGBTQ CommunityDisabled000GBP35,00030,00025,00020,000EUR33,342USD$38,852$32,377201820192020$26,088.42$46,685.80$21,348.11$26,465.58$46,843.53Median Incomes by EducationFull-time illustrators38,899$45,32727,785$24,450.05$47,506.4922,228$25,901Has a degreeNo degreeDegree in illustrationDegree not in illustrationNot represented15,00016,671$19,426Represented by an agent$25,747.43$50,476.73$22,797.85$21,757.05$42,360.61$40,351.37$21,928.77$21,044.00$24,556.20$22,813.24$22,373.152020FemaleMaleNon-Binary/TransLGBTQ Disabled2019FemaleMaleNon-Binary/TransLGBTQ Disabled$23,881.02$25,801.90$11,455.35$21,343.75$12,667.88$22,831.82$45,102.86$9,168.65$20,009.72$10,696.5520,494.0122,142.459,830.6518,316.5910,871.21 20,684.7540,861.448,306.4518,128.039,690.6618,440.0219,923.258,845.3816,480.839,781.65 18,053.0635,662.717,249.6315,821.648,457.73USDGBPEUR202020192018USD1.00000001.00000001.0000000EUR0.85817130.90596120.8719698GBP0.7721620 0.79069730.7837019Has a degreeNo degreeIllustration degreeNon-illustration degreeHas an agentNot represented$24,556.20$21,044.00$46,843.53$22,813.24$40,351.37$22,373.1521,073.4318,059.3540,199.7819,577.6734,628.3819,199.9918,961.3716,249.3836,170.8017,615.5231,157.7917,275.70USDGBPEUR252670VB(%0%NeverYes,fixed rates on all projectsSometimes,depend-ing on the project21.9 2020192018Do You Use Hourly/Day Rates?20%h.1i.8d.6%9.9.2.4%0Under$322$323-$646$647-$1294$1295-$3236$3237-$6474$6475 50.57.5%0.6%OverallFull-time illustratorsPart-time illustrators25%2.1%1.23%1.17%4.1%2.3%5.6.3%8.9.5.8.5%.4(%R.8(.8E%Individual Commission Price RangeWere going to assume that those using an hourly/day rate are generally under a work-for-hire contract where the copyright belongs to the client on completion of the work.You must remember that the copyright to your work is a valuable asset.In broad,practical terms,transferring the copyright to a client should add 100-200%to what you would typically charge for an unrestricted eight-year license.Including copyright as standard when you sell an image is very unwise.Youre probably seriously undercharging your clients and additionally making it difficult for other hard-working illustrators to charge a sustainable rate.Under$322$323-$646$647-$1294$1295-$3236$3237-$6474$6475 Under 277278-555556-11101111-27772778-55565557 Under 249250-499500-9991000-24992500-49995000 USDEURGBPOverall median commission priceFull-time illustrator median commission pricePart-time illustrator median commission price$387.91332.89299.53$568.43487.81438.92$305.52262.19235.912728Are you supported financially by a spouse,family member or friend?53.5F.5 20NOYES57.5B.5 19NOYES80gTA(%YesNo24.4%Do you earn enough to sustain a comfortable lifestyle?23.0&.6u.6w.0s.4%Do you have a pension or a way to financially support yourself in retirement or old age?64.45.6 20NOYES61.98.1 19NOYESThis year,86.6%of our American friends had health insurance coverage,up 1.6%since 2019.According to the United States Census Bureau,this is still slightly lower than the national average of 91.2%(2017).Although widely recognised as a given in nearly all developed and wealthy countries,the United States of America does not have a universal health care system.86.6.4%Health Insurance in the United StatesYESNO2020201920182930LifeThis year 48.5lt they successfully balanced client work and personal work,narrowly up from 48.3%in 2019 and 48.2%in 2018.Have you had the opportunity to create personal work during lockdown periods?No,I have not had time due to workNo,I have not had time due to other reasons No,but I rarely create personal work anywayYes,less than normalYes,more than normalYes,the same as normal11.2!.4%8.2C%3.2%We asked respondents whether they felt they had a good work/life balance;57.4%said they did,which is up 2.7%since the 2019 survey and 9.7%since 2018.As of 2019,the number who feel they have a good work/life balance outnumbers those who dont.Work/Life Balance61.78.3%NOYESHave your caring responsibilities increased this year due to the pandemic(e.g.children at home,older relative)?20202019201847.7T.7W.4%Andr Caetano3132We Would Benefit From.0More art classesMore exerciseMore social timeMore relaxationMore sleep66Dg.5d.2 202019201849E.3.1Q.9H.5D.6B.5CA.2I.6F.8.7h.9%Have you attended online meet-ups with other illustrators during the pandemic?54.1E.9%NOYESNo,but I wish Id been able toNo,I didnt feel the needYes,once or twiceYes,severalHave you met up with other illustrators in-person during the pandemic?The chart below shows whether our respondents felt that social media positively or negatively affected them and the percentage that shared this view.We didnt ask for specifics as to which social networks they used or how they used them.2020NeutralNegativePositive2019201878%NOYES34A.1B.6E.4H.8D.5.2.5.933470VB(%0%I have anxiety or confidence issues that affect my careerI prefer not to sayI dont have anxiety or confidence issues that affect my career202020192018Anxiety Issues65.3s.9#0.3&.1%4.2%4.4r.8v.1%YES23.9%NOHave you experi-enced greater anxie-ty since the start of the pandemic?Very well,theres not been much change for meBadly,its been really toughOK.Its been hard at times,but not too badFairly well,Ive adaptedIf you are in crisis with your mental health and have suicidal thoughts or think you might self-harm or harm others,call(or get someone else to call)the emergency services or go to your nearest hospital A&E/Emergen-cy department.In the UK,you can call NHS 111 for advice at any time.There are also several mental health and emotional support services available,many of which offer telephone,text and email support.In the UK,this includes Shout(text 85258)and Samaritans(phone 116 123).The mind.org.website offers advice on getting help when you are in crisis and valuable information about all aspects of mental health.Outside the UK,Crisis Text Line is avail-able in the US(text HOME to 741741)and Canada(text HOME to 686868).For people in different countries,please visit to No Panic,there were 8.2 million(12.8%)diagnosed cases of anxiety in the UK in 2013,with women twice as affected as men.The Anxiety and Depression Association of Amer-ica,states anxiety disorders affect 18.1%of US residents every year.Mental Health6.566.8!%We asked respondents whether they thought their mental health had deteriorated since the beginning of 2020.39.7%said it had worsened,50.9%said there was no change,while 10.1%said it had improved.How well do you feel you have coped with life in lockdown?uk3536Sexual HarassmentMaleFemaleNon-Binary/TransLGBTQ DisabledEthnic Minority2.3ced harassment while working as an illustratorDiscriminationMaleFemaleNon-Binary/TransLGBTQ DisabledEthnic MinorityLost out on a job because of their identity or beliefs2020201920202019202020192020201920202019202020192020201920202019202020192020201920202019202020192.7.4.8.1 .6.6#.1.4%9.6%7.1.6.8.3.9%.7.9).9.5.5%PostscriptFirst of all,the State of Illustration wouldnt exist without our respondents who gave us their valuable time to answer our questionnaire,for which I am very grateful.I also want to say a big thank you to everyone who shared the survey with their peers and got the word out about it.This year the State of Illustration report was the most in-depth analysis of the illustration and creative industry Ive ever done.It was a mammoth task to conduct the survey,promote it,sieve through the data and write this report.It took over 300 hours to create outside of my duties as the creative director and client relationship manager at Hireillo.As well as the hours I invested,I enlisted a graduate space systems engineer to help us analyse the data,along with deciding on the best ways to visualise it.Although this report might not be up to their usual scientific standard,it does an excellent job of turning the raw data into an easy to understand facts and figures.As a group,we are all part of the creative industry responsible for contributing over 100 billion per year to the UK economy alone.We need to take care of each other and ensure we all have a balance between our work and life.Our future is in our own hands,we need to embrace it we cant just sit idly by and wait for things to happen.Its not rocket science!Darren Di LietoCreative DReport AuthorDarren Di Lieto was born in Central London,but most of his youth was spent by the sea in South Devon.He now resides in Leicester in the Midlands where he lives and works with his other half,Morgan,and a garden full of corvids.Trained traditionally as an illustrator and graphic designer,Darren is the founder and creative director of Hireillo,aka Hire an Illustrator,a community and service for illustrators which was established in 2005.He spends his days(and many evenings too)advising,promoting and helping illustrators find commissions,while guiding them to further their careers and maintain professional standards.Hireillo is an independent organisation whose sole purpose is to do what is right for its members,while leading the charge for the betterment of freelancers and the illustration industry it represents.PublicationsMail Me Art:Going Postal,Secret Self,Showcase 100,Mail Me Art:Short&Sweet,Amazing Adventures:Art Inspired by the Works of Jules Verne,State of Illustration(5th Edition)fb.me/ BySandra NImogen Fancourtimogenfancourt.co.ukCandice BAndr CAdditional Illustrations ByBeachbeachy.co.ukReport author portraitby Ego RHireillos mission is to cultivate connections between clients and illustrators regardless of location,provide advice to their community of professional illustrators,and help clients find suitable partners for their projects.This report is part of their commitment to leading the charge for the betterment of freelancers and the illustration industry.Become a Member an Illustrator

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