1、Audiovisual services spending on original European content 2024 editionGilles FontaineSeptember 2024A publication of the European Audiovisual Observatory2ContentsIntroduction and methodology3Key findings6Spending on European original content by audiovisual services in Europe9Additional data on broad

2、caster spending on content20Additional data on global streamer spending on content25List of graphs2723Introduction and methodology34oThis report analyses spending on content by audiovisual services in Europe*between 2013 and 2023.As thereport deals only with spending by audiovisual services,figures

3、do not represent the total financing of originalcontent:other sources(notably public funding,distributors minimum guarantees,fiscal incentives,etc.)are notconsidered.oThe report builds on a dataset provided by Ampere Analysis.Ampere Analysis collects data on spending onaudiovisual works by the main

4、broadcasters and global streamers in Europe.The dataset combines two differentcategories of data.Data is reported on a profit and loss basis.In the previous edition of this report,spending for global streamers was reported on a cash basis.The figuresare therefore not directly comparable.oGenerally s

5、peaking,the dataset excludes two main categories of spending:News,when produced internally by a broadcaster.Global streamers acquisitions from their parent company,when this parent company is a Hollywood studio(e.g.Disney+,Paramount+,HBO Max),as these internal transactions cannot be monitored.This r

6、eport includes content supplied by Ampere Analysis Ltd.Copyright Ampere Analysis Ltd 2024.All rights reserved.Europe:wider Europe excluding Russia.Introduction and methodology45Spending on content is split into three categories:Original content,which refers to any programme commissioned,pre-purchase