1、Audiovisual media services in Europe-2024 edition Agnes SchneebergerJuly 2024A publication of the European Audiovisual ObservatoryIntroduction.3Scope and methodology.4Executive summary:-I.The big picture.6-II.Main players8Part I.The big picture-AV services and VSPs.9The big picture-TV channels.12The
2、 big picture VOD services and VSPs.36Part II.Main players.47Main players-Top 20.48Main players-Case studies.57Table of contents2Audiovisual media services and video-sharing platforms are the gateway to bring film,entertainment,sports andnews content to the homes of millions of Europeans.The audiovis
3、ual works accessible via television channels,on-demand services and video-sharing platforms are not only economic but cultural goods mirroring and shapingEuropean societies.1Mapping the supply of audiovisual services,their programming,coverage and ownership iskey to sizing and comprehending the Euro
4、pean audiovisual sector.This publication offers insights into the European audiovisual sector from two perspectives.The first providesThe big picture,by focusing on the supply of television channels,on-demand services and video-sharingplatforms available in and originating from the European markets.
5、Specifically,this includes information on localservices,private and public services,US-owned services and platforms,channels on DTT networks,and servicestargeting multiple markets.The second perspective looks at the Main players operating in Europe with a specific focus on the top 20 TV andVOD group
6、s and their presence in the various European markets.Particular attention is paid to the weight of USplayers in the European audiovisual sector,their main brands and operating markets.Further,the report includesthree case studies shedding some light onto the different strategies of main players with