1、HERE,THERE ANDEVERYWHERE2023ContentsIntroductionJamie Njoku-Goodwin UK Music Chief Executive4Patricia Yates VisitBritain/VisitEngland Chief Executive Officer6Overview8Music in the Regions12East of England14East Midlands16London18North East20North West22Case Study:Liverpool City Region Music Board24N

2、orthern Ireland26Case Study:Belfast Music Walking Tour28Scotland30Case Study:Black Bay Studio32South East34South West36Case Study:Cheltenham Festivals Accessibility and Sustainability Toolkit38Wales40Case Study:Dydd Miwsig Cymru42West Midlands44Yorkshire and the Humber46Music on a Global Scale48Musi

3、c Powerhouse Toolkit:A guide for towns,cities and regions50Conclusion64References65Acknowledgements66Unknown T performing at The Great Escape 2023|Parri Thomas 5IntroductionJamie Njoku-Goodwin UK Music Chief Executive4Welcome to UK Musics Here,There and Everywhere report,highlighting the powerful pr

4、esence of music across every corner of the UK.The numbers show in certain terms what we all felt in 2022:the excitement for live music to come back for the first full year since the COVID-19 pandemic.With 14.4 million music tourists helping to generate 6.6 billion in spending across the year and sup

5、porting 56,000 full-time jobs,it really was quite the return.The cultural soft power of music is a driving force behind tourism.The UKs music scene has permeated global consciousness,shaping fashion,art,and even political movements all over the world.British artists have long held an ability to reso

6、nate with diverse audiences,transcending both language and cultural barriers.Of course,live music isnt the only reason people travel to and around the UK.As this report highlights,there is so much more that takes people across the UK for its music.This includes recording at some of the best studios